Productions

Central to Myrtle Theatre Company's philosophy is an ambition to create work that is of a high artistic standard. Many of our performances take place in spaces and environments other than a theatre setting to targeted audiences.

In addition we are committed to producing in professional theatres, giving the general public the opportunity to share the work.

As with all of our work, the productions are produced by a professional creative team. Some are performed solely by professional performers, some by a young company. We are also developing a house-style of producing original work with casts that combine the energy and creativity of young performers together with the experience and skill of adult professional actors.

 

 

 

Current Production
Up Down Boy (Sue Shields)

I'll never forget that doctor.
"Your son – he’s got Down’s syndrome."
We thought, what the hell is that? He must have seen the look on our faces.
He said, "Mongol".

Matty is off to college in an hour – and he’s left it to Mum to pack his suitcase. She won't miss the slamming doors, the queue for the bathroom and the phone bills. But Matty is no ordinary teenager. Will his Mum cope without him? Will he cope with the challenges that lie ahead?

And how will they fit the life-size model of Buffy the Vampire Slayer into the back of the car?

For this production Myrtle Theatre Company worked with The Evil Genius (animator), John O’Hara (composer), Michelle Gaskell (movement director) and Michael Straun (lighting and projection designer) to create a rich and uplifting piece of theatre. Experience the extraordinary perspective of Matty’s imaginative inner world set against the reality of his mother’s life. Performed by Nathan Bessell and Heather Williams.

"The whole production makes for an emotional but never sentimental picture of an unusual but strangely familiar relationship. A truly entertaining and uplifting story"  Bristol Evening Post

"The result is a touching interplay of warmth, anxiety and laughter as Odette recalls the extraordinary journey of giving birth to a child with Down’s syndrome and her battles with the world at large to give him the upbringing he deserves." ****
Venue

Following critical acclaim and the extremely positive feedback received from sell out audiences during its run at The Brewery (March 2010) and Tobacco Factory (October 2010), Up Down Boy is touring nationally and internationally in 2011 / 2012.

YouTube link
http://www.youtube.com/watch?v=0mTbd-8cT-w

 

Past Productions

 

 

Through The Wire (Catherine Johnson)
Tobacco Factory Theatre, Bristol
Wednesday 6 to Saturday 9 September 2006

"Yeh - 'cos that's every girl's dream innit? - a prison romance. "What's your boyfriend do?"   "Six months for burglary and a.b.h."  Still, on the plus side, it'll be ages before she finds out you're crap in bed."

Originally commissioned by the National Theatre, Through The Wire was written by Myrtle Theatre Company’s patron, internationally successful writer Catherine Johnson, who added characters and lengthened the play for this production. In addition, new music for Catherine's lyrics was composed by John O'Hara. Directed by Heather Williams and choreographed by Michelle Gaskell the production was performed by thirty young people.

Through The Wire is set in a Young Offenders' Institute, where various levels of criminal and anti-social behaviour have seen Dan, Jason, Max, Scott, Ant and Philip wind up there.  Their only contact with family and friends is the weekly visit, and the action of the play takes the audience through a visiting hour no one will forget.   

I am so proud to be Myrtle Theatre Company's patron - theatre should be for everyone, not just the privileged few and I totally support the work Myrtle Theatre Company does in taking theatre to the wider community.

Catherine Johnson

 

 

 

City of One (Mike Akers)
Tobacco Factory Theatre, Bristol
Wednesday 5 to Saturday 15 September 2007

Me? No – I'm not in care. I own the City

Specially commissioned by the company to coincide with the Governments' release of the White Paper, Care Matters: Time for Change, City of One by Mike Akers, with original music by Benji Bower, was directed by Heather Williams and David Straun and choreographed by Michelle Gaskell. The play was performed by an adult professional cast and an inclusive company of thirty young people, many of whom had experience of the care system.

Liam is a teenager whose foster carer has been taken ill and is temporarily placed with new foster parents, Janet and David. We see the story of his placement, the history of the breakdown of his natural family and the crisis point as a planned meeting with his father fails to happen.  The ensemble of young actors provides us with a vision of Liam’s internal world, his “city of one”. The piece portrays a system struggling to cope with the size, stresses and traumas of the problems, but ultimately, through the commitment of individuals to do their best in difficult circumstances, delivers an irrepressible glimmer of optimism.

Myrtle continues to raise the bar for work produced by young casts and cements its reputation for making ground-breaking theatre which moves and affects its audience.

(Venue, Bristol and Bath, 14-23 September)

It is rare that a piece of theatre moves, amuses and challenges in equal measure. Myrtle Theatre’s ‘City of One’ manages all three in a seemingly effortless blend of stark realism, modern myth and musical theatre… This is a really important piece of theatre that should be seen by everyone who has an interest in the lives of our young people.

(Independent reviewer – 10 September 2007)

Following the production run in Bristol, one young cast member, in care for most of her life, was determined that City of One's graphic portrayal of what it feels like to be in care should be seen by people with the power to improve children’s lives.

She successfully applied for a grant from the Youth Opportunity Fund, which along with additional support from Government Office for the South West, National Children’s Bureau, Bristol Children and Young People's Services and Arts Council England, enabled the company to take the play to Westminster, where it was performed for an audience of MPs, ministers, senior civil servants and key individuals from the creative industries at The Abbey Centre in February 2008.

I was incredibly moved ..... to see this production..., When I first saw this play in Bristol I jotted down every issue and ran out after forty or fifty of them. Every one of the points of the story is real and it is repeated across the country..., This shows what can be done when children and young people are respected, not demonised...when they are respected and when a small number of people will work with them.

Sir Al Aynsley-Green, Children’s Commissioner for England

Extracts of the production have been performed at a number of high-profile events and conferences focusing on the implementation of Care Matters.

 

 

Jollity Farm
Tobacco Factory Theatre, Bristol
Wednesday 5 to Saturday 8 November 2008
Post-show open debate: Thursday 6 November 2008

There’s a farm called Misery, but of that we'll have none.

Performed as part of a double-bill with The House of Letitia Smith, Jollity Farm investigates the factors involved in the mental health of young males. With an all male cast of professional actors and young performers, Jollity Farm explores male identity in the early 21st century and the impact on emotional and mental health and well-being. Through specially commissioned music, dance and original pieces of text, Jollity Farm offers extraordinary insight through thoughtful artistic interpretation of this social imperative.

 

 

The House of Letitia Smith (Lucy Catherine)
Tobacco Factory Theatre, Bristol
Wednesday 5 to Saturday 8 November 2008
Post-show open debate: Thursday 6 November 2008

I live alone inside my body. It's the only safe place I've got.

Performed by a professional cast, this specially commissioned play by Lucy Catherine, with original music by John O'Hara, directed by David Straun, gives a chilling insight into self-harm. Using stark realism, anarchic comedy and story telling that is moving and challenging in equal measures, the play charts the journey for 15 year old Letitia Smith as she begins to use self-harm as a coping mechanism, and her first steps on the road to recovery.

The House of Letitia Smith was originally part of a pilot project developed in collaboration with psychiatrists from Bristol CAMHS and the Bristol PSHE Consultant, through the Images of Psychiatry campaign (Royal College of Psychiatrists).

 

     

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